and in the chapter, there are reports from other Companions, but some of their isnāds are very weak. Whoever wishes to review them should refer to "Majmaʿ al-Zawāʾid" (4/91) and "Takhrīj al-Kashshāf" by al-Ḥāfiẓ al-ʿAsqalānī (4/129-130). Then I reviewed the biography of al-Walīd ibn al-Walīd al-ʿAnsī in "al-Mīzān" and "al-Lisān," and I found severe criticism from more than one of the ḥadīth scholars. Al-Dāraqūṭnī and others said: "Abandoned." Ibn Ḥibbān said in "al-Ḍuʿafāʾ" (3/81): "He narrates wonders from Ibn Thawbān and Thābit ibn Yazīd." Then he narrated the ḥadīth "The noble traits of character are ten..." (1), and he commented afterward: "This has no basis in the words of the Messenger of Allāh (ṣallá Allāhu ʿalayhi wa-sallam)." The criticism of these scholars takes precedence over the endorsement by Abū Ḥātim, because it is a detailed criticism as is apparent. It is surprising that this was not apparent to Abū Ḥātim, the well-known critical ḥadīth scholar known for his strictness in criticism, and the one who is protected is the one whom Allāh protects. Therefore, I have retracted from using the ḥadīth of al-Walīd as evidence, and the ḥadīth remains weak, except for what relates to the revelation of the verse concerning singing, due to the authentic supporting narrations mentioned from Ibn Masʿūd and others. These are considered as marfūʿ according to al-Ḥākim and others, especially since Ibn Masʿūd swore three times that it was revealed concerning singing. Ibn al-Qayyim authenticated it in "Ighāthat al-Lahfān" (1/240) from Ibn ʿAbbās and Ibn Masʿūd, and then the reports continued on this from the Tābiʿīn and others, including al-Ḥasan al-Baṣrī, who asserted that it was revealed concerning singing and musical instruments. As reported by Ibn Abī Ḥātim from him as in "al-Durr al-Manthūr" (5/159)